Daniel Aguilar Ruvalcaba, Alejandra Áviles, Victorie Barbot, Wendy Cabrera Rubio, Cristobal Gracia, irak morales, Israel Urmeer | Der Arf Nira Egar U.O.C.

10 / Oct / 19 - 10 / Nov / 19

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Daniel Aguilar Ruvalcaba (Generación 2014), Alejandra Áviles (2015), Victorie Barbot, (2018), Cristobal Gracia (2013), Irak Morales (2016), Israel Urmeer  y Wendy Cabrera Rubio (2020) participan en Der Arf Nira Egar U.O.C.

NERIBarranc presenta "Der Arf Nira Egar U.O.C.", una exhibición colectiva curada por Rinomina Paris. Fue fundado en el 2015 en París por Daniela Baldelli (Eritrea, 1977) y Markus Lichti (Alemania, 1980). Rinomina, que viene del italiano renombrar, es un espacio de arte contemporáneo concebido con el objetivo de dar a artistas emergentes de la escena internacional la oportunidad de presentar su trabajo. Rinomina intenta actuar de manera coherente en un proceso flexible, conceptual y colaborativo con el objetivo de mantener una perspectiva divergente obre lo que puede ser un espacio de exhibición


Texto curatorial:

“Present tense is coming through desire: unexpected economies, relational awkwardness and rendezvous surprises.
Energy as matter transforming, it is what it is unless...equivalence is outdated. Difference appears through repetition, sameness is left behind. To repeat, to mark a difference making others appear. A choir is a ghostly ensamble of a silent conspiration of forms emerging.
It is a chain of events, and an event is a chain of happenings, it is a series, sequential and unconscious rhythm. The moon is still behind the clock.
Follow disorderly instructions of others and empathy arises. Following instructions and its variants. That is the invariance: value is upside down.
Suddenly the social devours economy: a glimpse of revolution as the end of history.
An utopian gaze: artists work as artists work as workers worker ́ s artists art works working. Collaborating: embrace cannibalism, codigofagia, bodies beyond body.
No work: abundance of time (not-yet). Inertia kills. Working: scarcity of time (yet- not). Accelerationism t: time as a spatial tramp.
We dive into the Infra and suddenly superficial becomes deep and complex. Shadows are the guiding lights for surviving historicity: the city of the hisstory, city of lights, enlightenment as the trap, banlieu rap and cumbiadetianguis ring my ears.
Courage Mon amie! Pass auf dich auf! I have faith in play. Let the rivers emerge!
Instructions in art: never step by step but please don't loose the step! Listen to friendship is a vessel or a boa snake gut. Both will lead us somewhere.
Trust is a robust glass. Trust becomes dangerous and full of doors.
Trust is invaluable, almost mystic, materially speaking. Trust is throwing dices without numbers engraved.
Contexts are non equivalent. Equivalence of contexts is value. Trust is only equivalent to risk.
Through repetition, something ends up being other thing: sometimes even the Word mutations is simply not enough. Chaos, affinity, informality: an invisible window is yet open, the glass is broken the stone is out of sight.”
 G.O.U.S.T


La inauguración se llevará a cabo el 10 de octubre del 2019 a las 19hrs.

Del 10 de octubre al 10 de noviembre del 2019.


Estudio Marte 221
Jaime Torres Bodet 221
Santa María la Ribera
Ciudad de México, México

 

SOMA

Calle 13 #25, Col. San Pedro de los Pinos, 03800 Ciudad de México