Catalina Lozano (Bogotá, 1979) is an independent curator and writer. Her research interests and curatorial practice are focused on minor historical narratives that question hegemonic forms of knowledge. In 2011, she co-founded de_sitio, a curatorial platform in Mexico City. Between 2008 and 2010, she was responsible for Gasworks Residency Programme in London. She was a part of the artistic team of the 8th Berlin Biennale (2014). Recent projects include: A machine desires instruction as a garden desires discipline at MARCO, Vigo; FRAC Lorraine, Metz; and Alhóndiga Bilbao (2013-14); Being an Island (with Kasha Bittner) at daadgalerie, Berlin (2013); The gate towards the invisible must be visible at Casa del Lago, Mexico City (2012); ¿Tierra de nadie? at Centro Cultural Montehermoso, Vitoria-Gasteiz (2011); Modelling Standard (Erick Beltrán and Jorge Satorre) at FormContent, London (2010); and Everything has a name, or the potential to be named (with Anna Colin) at Gasworks, London (2009). Her exhibition project Ce qui ne sert pas s’oublie opened in January 2015 at the CAPC Bordeuax. She has participated in several conferences internationally and is a regular contributor to contemporary art catalogues (Abraham Cruzvillegas, Maria Thereza Alves, Mathieu K. Abonnec, among others) and periodical publications. Since 2012, she has been collaborating with artist Jorge Satorre on a project at the Museo Comunitario de Valle de Xico.